Category: Uncategorized

  • Gears & Textures Gallery

    For Splitcoaststampers Color Challenge; Blending Brush, Exposed Brick Embossing Folder, Sanding Block, Gears & Textures Dies, Lifetime of Love Bundle, Silver Embossing Powder; Pecan Pie Night of Navy, Very Vanilla, Silver Metallic papers, True Blue Florals DSP

    From Blog Post Around the World on Wednesday: Playing with Sand

  • Around the World on Wednesday: Playing with Sand

    Today the artists from the Around the World on Wednesday crew are enjoying a little sand!

    We are left to our own devices to decide how and I didn’t have too much trouble deciding that I would get out my sanding block.

    Awhile back I experimented with using sanding blocks to roughen up some metallic paper when I was using the Gears & Textures bundle and wanting the gears to look worn instead of shiny and new. This week I went back down that road to try some other ideas I’ve had rumbling around in my head. One idea was mixing the feminine scallops from the Scalloped Blooms Bundle with the more masculine Gears & Textures.

    1. I had trouble getting the Barely Blush and Gray Granite in the card to come through right in this photo but I love the way they worked together with the Earthen Toned Metallic – in real life!
    2. I lightly brushed Gray Granite ink onto the Gray Granite layer (3 7/8″ x 5 1/8″)before embossing it with the Floral Spray Embossing Folder. That piece is layered onto a 4″ x 5 1/4″ piece of Barely Blush before I roughened up the blush with my fingernail. I gave the edges another quick brushing of Gray Granite ink before rolling one corner and attaching it to a A2 (4 1/4″ x 5 1/2″) Barely Blush card.
    3. The scallops/flowers are die cut from Barely Blush with the Scalloped Blooms dies and brushed ever so slightly with the same color of ink.
    4. Most of the gear pieces were sanded as loose pieces but the chain was done in the negative piece that was left after making the die cuts. If you look closely you can see that the edges of the chain are more defined with the original Earthen Toned color. The others are more worn appearing at the edges.

    Here is one that started with a piece of shiny gold metallic paper.

    1. I didn’t know what this would look like until I created the background piece but once I saw the way the pattern and colors work together I thought I would turn it into a card that was a little sophisticated and celebratory, like for a older couples wedding or maybe a retirement. You can see in the close-up at the top of the post that the piece shows gold that is roughened but not sanded off, a silver-ish color beneath it and then Basic Gray which is where I sanded down to white, uncoated paper that didn’t resist the ink like the gold and silver did.
    2. I think it is good to vary the width of your layers if you use more than 2. The Basic Gray border is 1/8″ while the unhanded gold metallic border is 1/16″. Actual Measurements: 2 1/2″ x 3 7/8 of embossed pattern, 2 3/4″ x 4 1/8″ of Basic Gray; 2 7/8″ x 4 1/4″ of unsanded Gold Metallic Paper
    3. When I have a design that won’t have an even border around the card I usually try to line it up so that the distance from the top and the sides of the card is the same with more space on the bottom. This time, since I knew that the words would extend towards the right edge, I made sure the left, top and bottom were equal distance and there was a little more room on the right.
    4. I like mixing the die cut words with stamped words from the Words & Wishes Bundle.
    5. I often just barely snip off the corners when I have a hand trimmed greeting such as “wishes”, just to slightly soften the edges. This time I also used my sanding block to smooth all the edges of this piece down. I’ll be using that trick again!

    I hope you try sanding some of your metallic paper scraps at your craft desk! Here are some ideas to keep in mind as you experiment:

    1. There are lots of tools you can use to sand, even emory boards, I found a nice sized, very slightly cushioned, block at the hardware store for just a few dollars.
    2. Try different types of metallic or coated paper. You may find multiple layers and can experiment with how many layers you actually want to go through.
    3. Think about what colors of ink you might like to apply. Something darker to emphasize the metal color or maybe something complimentary? Always brush loose paper/dust off your sanded piece so that you don’t transfer the paper dust to your ink pad. You may not realize it at first but your sanding block may accumulate dust too so it a good idea to brush that off a bit if you can.
    4. Vary the way you swipe the sanding block across the paper or die cut. You will get different looks with straight swipes compared to using a circular motion.
    5. You can apply ink with blending brushes, daubers, or even directly from the ink pad.
    6. Save the negative from making die cuts and place the cut pieces back into the negative before sanding to get a different look. This preserves the metallic look at the edges, sanding more on the top surface. Without the negative you usually get the most of the metallic coating off of the edge.
    7. For variety, use both sanded and unsanded metallics in your final card design.

    Now it’s time to check out what kind of sand the rest of our time got into. Next up is Bree Renwick:

    Leonie Stuart – AU

    Rochelle Laird-Smith – AU

    Kelly Taranto – US

    Chris Smith – US

    Bree Renwick – US

    Lori Willcox – CA

    Cheryl Hamilton – US

    Thanks so much for stopping by today. Please note that there is a gallery page index linked at the top of my blog. You can find samples from various Stampin’ Up sets and sometimes even techniques by checking the index. Chris

  • Fragrant Layers Gallery

    Peaceful Days Hybrid Embossing Folder, Starstruck Embossing Folder, Night of Navy Gingham Ribbon, Sweet Bugs Dies (tiny butterfly), Label Framelit dies, Fragrant Layers Bundle

    I cut the framed flowers die three times for this card: once in Basic Black, once in blended Basic Gray and once in blended Cherry Cobbler. The take a pick tool was really appreciated as I put the pieces together.

    The designer paper and embossed Cloud Cover metallic paper are since retired though they really show off this 2025-27 In Color.

    I just had to try this bundle with a favorite Soft Seafoam/ Granny Apple Green color combination.

    …Playing around with Blends…

    I did the background with gold hot foil and one of the regular cutting dies from this bundle. The other die cuts were done with Basic Beige. The blending was done with brushes and Mossy Meadow ink.

    I fussy cut this image after coloring it with Blends. The background is a gel print I’ve had in my stash for years. I ran it through an Altenew embossing folder, Traces of Yesterday, that I bought intending to try with Gears and Textures but it found its way to this card first. Words & Wishes greeting … and little gold leaves. I had to sand the background to get the white core to show the design.

  • Balloon Festoon Gallery

    My first play with stencils made from balloon die cuts. It was so fun to play with different colors of inks!

    These first three cards feature the Hello You thinlet dies which were bundled with the Crazy About You stamps in Stampin’ Up!’s 2015 Occasions Catalog. It was one of the earlier word die sets and I don’t think I was ever too crazy about the font BUT I love it with these balloons! I only found out after I made the cards that I still had the word stamps so these used different “BIRTHDAY” stamps that are a little more recent.

    I love the effect in the first card of cutting the word out of the stamped design. Just know that it’s a bit more time consuming and make sure you save all the necessary pieces so you can replace them after you put the word back in place.

    The die cut “happy” has three layers to make it more sturdy which also makes it easier to apply to the card in the intended shape – otherwise a single layer might stretch out the letters.

    The background paper and die cut “happy” use Beach Boardwalk DSP. The white trim is from the Cutest Crew Dies.

    Splash of Sparkles DSP. I think the balloon was from leftover Melon Mambo ink on my blending brush.

    This used one of the biggest stencils I could die cut and it would make a great, easy graduation card. This one uses my high school colors: Red & Gray (Actually I think I just cleaned off my black blending brush.)for the Duluth East Greyhounds. It’s only been 50 years!!! The waves are for the waterfront, near where our graduation ceremony was held. Of course any embossing folder or even none at all would work.

    Cutest Crew birds with Words of Beauty Bundle.

    Cutest Crew birds with Words & Wishes greeting

    The Beach Boardwalk DSP worked perfectly with these balloons which wrestled done by cleaning off a bunch of blending brushes. I think the greeting is from Lovely Arrangements.

    I wasn’t sure I would make use of the really big balloon dies but they are turning out to be some of my favorites. This simple Highland Heather balloon was lightly shaded with ink and embossed with a celebration message – I was thinking graduation or something. I chose silver to accentuate the iridescence in the background paper but I also think gold embossing would have worked well with the Crushed Curry in the design.

  • Flowers Fair Gallery

    .I did the card above for an Inspiration Challenge over on Splitcoaststampers. I was inspired by this dress on the Anthropologie site. It reminded me so much of the Beautiful Gallery designer series paper. You know. One of those pieces you can’t cut into until you really know what you are going to do with it. I used the other side for the main part of the card with just a bit of the print on the side. The white space – or in this case blue – makes the border and the single flower, fussy cut from the rest, stand out. The die cut words are subtle.

    The bright one: Blends with a bit of pencil.

    The subtle one…Blends.

    The slightly less subtle one. Blends with a bit of white pencil.

    A favorite color combination that goes back decades for me: Red, white and bright greens on Crumb Cake. The greetings for these last four cards are from Lovely Arrangements. The scallop is from the retired Hand Penned Petals Bundle.

    After trimming off the edge for the red on Crumb cake card above I still had more to work with so I changed it up with another color scheme. Blends + Watercolor Pencil but no water. I pulled out some scallops from my stash along with a test piece of embossing. I usually try out embossing folders in white before I actually design with them. Many end up in a stash that sits above my work area.

  • Looking Back to 2011… Stampin’ Up! Apothecary Labels Gallery

    These are reposted from my old Typepad blog. Can you tell I had a lot of fun playing with my first set of nested framelits and Big Shot? These label dies are much like Stampin’ Up!’s current Beautifully Celebrated Dies so you may find the ideas to be interchangeable. The Typepad blog noted on my watermark no longer exists.

    DECEMBER 07, 2011 –

    Apothecary Christmas

    I splurged on Stampin’ Up!’s Occasions Mini pre-order, even express shipped it so I could play with it during my recent 3-day weekend. Needless to say I was impressed with what I saw in the catalog, but I’ve had even more fun than I expected playing with the new Big Shot “toys” and coordinating stamps.

    Paper Player’s challenge this week is to make a Christmas card out of non-Christmas stamps and colors. That challenge combined with my new box of goodies led to this:

    Apothecary Art is a new set of 6 stamps that I thought might be a little more coloring than even I enjoy, but it really does color up quickly. I had a whole page stamped on So Saffron, colored and ready to cut up with the new Framelit Labels Collection in no time. I used the same framelit to cut the label as I did to cut the opening into the front of the card. This gave me a sort of dry embossed frame on the card in which to set my colored label.The roses were colored with Regal Rose and Blushing Bride; the leaves with Pear Pizazz and Lucky Limeade. The picture may not have caught it but Dazzling Details adds shimmer to the roses and border on the ribbon.

    The Pear Pizazz label cut out of the first card ended up as a background layer for my next label image, after running it through the Snow Burst embossing folder. Once again the label is stamped on So Saffron. Coloring is with the white gel pen and Pear Pizazz with Dazzling Details. Several of the Petite Pairs greetings will work on these labels if you offset them.

    White Christmas Flowers with Pear Pizzazz and So Saffron.

    With tiny, tiny pearls…

    Take it to Heart stamp set(SU)

    Pursuit of Happiness stamp set (SU)

    Also uses Tiny Tags w/punch(SU) and Finial Press embossing folder(SU).

    Wisteria Sympathy. Also uses Loving Thoughts (SU).

    This also uses a 2012 designer paper, Twitterpated.

    This features white craft ink stamped on Night of Navy cardstock. Accent is a die cut (and embossed) butterfly.

    So Saffron with a little Pear Pizzazz. Lightly sanded the DSP after embossing. I loved this paper as it reminded me a bit of the wallpaper in my room while I was in high school.

    A little bit more current look using a recent embossing folder plus flowers and a greeting from Fragrant Layers. I was using the sketch from the Wisteria Sympathy card above. There is sanding on both embossed layers. Sanding the Night of Navy DSP shows the white core of the paper and works best on monochromatic patterns. Lightly sanding the Silver Metallic papers gives a softer, aged patina.

  • Turtle-y Cute

    Today I’m celebrating the Turtle-y Cute Collection and Designer Series Paper(DSP) with ideas and card making tips you can make work for many different kinds of characters.

    This cute and kind of silly collection of turtles came out a little over a year ago and went on Stampin’ Up!’s Last Chance list this past April. I was first introduced to them at Onstage last March, when I attended an evening stamp party.

    I did a post last year before the Typepad blogs ended and I am incorporated those cards plus a few more here to show a little of what you can do with this suite, particularly the DSP. As I write this the paper is discounted at $7.50 (US) for 12 sheets and the stamp and die bundle is also significantly discounted. The DSP pack alone will make many cards!

    I suspect the paper will be gone by the time many read this but I hope you will find ideas that you can use for other character based papers and craft supplies that you might have or come across.

    First off, a classic birthday card using one of my favorite DSP card sketches and techniques.

    I love to create these cards with corner borders, especially when I have diagonal stripe or plaid. I’e also started keeping a stash of quarter front or slightly smaller pieces of card stock brushed slightly with a bit of blue, purple or green ink, whatever is ready to be cleaned from my brush. This simple little bit of background color can really make a fussy cut image seem a little more at home on the background.

    This beachy turtle gets a background treated with a coordinating embossing folder.

    Here’s how to get some extra mileage out of your DSP when making corners:

    I start with a 12″ square piece of DSP but feel free to try this with another size.

    Choose a width for your border. I’m using 3/4″ here but sometimes I use a half inch. Start your cut 3/4″ down from the top edge and 3/4″ in from the right edge. Cut until you reach 3/4″ in from the bottom edge of your DSP.

    Lift up your ruler/cutting blade and turn your paper 1 quarter turn to the right so that the placed you finished the cut is now at the top.

    Repeat until you have cut out a square with a frame. This works wonderfully with the Turtle-y cute DSP because you will have pieces to trim your card and lots of turtles and their accessories for your cards.

    I did a video on You Tube (several years ago that allowed me to get 13-14 corner borders from one 12×12 sheet.

    Some time ago I did a video for the frame cut out technique . For some reason I can’t link it here but it’s not hard to find on my little YouTube channel. It’s got a little snowman with another corner border.

    And, those partial images on the edge of your DSP? There are lots of uses for them.

    I did a trio of the Nature themed turtles along the side of this card. You could punch or die cut them or create windows for them to peek through as I did here.

    There was a little more image available for this banjo picking turtle so I put him on a circle with the same blending brush background.

    Sometimes a simple border is enough.

    Or play around with word banners. This card makes use of the stamp set for the turtle and dies for the hat and banjo.

    I colored this turtle with my travel coloring kit: some pale green and yellow Blends Markers plus the watercolor pencils (without using any water. I find using pencils quite relaxing and I have so much more control over the shading.

    I also like to pull out other products I have. This card incorporates some dies from Charming Duck Pond, a retired product. Maybe you have something similar that you can use to build a unique setting for your characters.

    Arch Trifold: Maybe you can recognize die cuts from Sweet Bug? I tried a few of the greens found in the DSP for this and them figured out that I liked the way the new 2026-2027 In Color, Peaceful Pine, brings the different greens of the turtles together. I inked the (coordinating but since retired) embossing folder with Peaceful Pine before embossing the card stock in order to emphasize the texture.

    One more that I made with one of the turtles that I colored while on Onstage 2025.

    Here are a few more turtles in one of my favorite fun fold cards. Some call it a tunnel card, others refer to it as a theater card. Regardless, I think it’s a great way to use the roughly 4″x6″ background scenes that you find in some DSP packs.

    Often when I do these tunnel cards I keep the card front very simple like I did with just a little paper and a greeting from Banner Sayings:

    Here’s another with the grilling turtle using greetings from Relaxing Waterside.

    Basically, a tunnel card is two cards, one layered inside of the other. Cutting the inside layer smaller to leave a border is optional. The inside layer is scored to divide it into 4ths and a shape is die cut into the middle two sections. Any scene that you want to appear inside the tunnel is stamped or adhered before attaching the inside card to the outside card. It’s always a fun card to try anytime you have characters. More details than this probably requires another post.

  • Around the World on Wednesday: Sketch Challenge

    It’s Around the World on Wednesday time again. This month our theme is a sketch and I’m the featured team member.

    The idea is to use a sketch and maybe other inspiration from my work. One of the sketches I’ve used quite a bit over the past few years is one that I first came up with while playing around with the retired set, Daisy Lane. I actually played with it a while before I figured out that the daisy in the lower right needed to go off the card.

    Even though I started the second card first, the first card I finished was for a color challenge calling for Flirty Flamingo over at Splitcoaststampers, where I had recently begun participating on the design team. Once I got the partial daisy figured out the finishing up the second was pretty quick!

    Since I did those back in 2019, I’ve done them with leaves, other daisies and even snowflakes. I thought since I was using a sketch I was already familiar with I should try it in a theme that stretched me a little so I decided to see what would happen if I tried it with Silly Safari:

    It was pretty easy to decide which animals to use since I wanted them to face the center/greeting. These worked out perfectly to get the kind of weighted balance I previously achieved with the large and small daisies. The animals are all colored with blends, plus a little Cajun Craze watercolor pencil on the giraffe’s spots since I was afraid the blends would be TOO dark. I also toned down the white contrast on the cut edge by outlining them with Light Crumb Cake Blends, a trick I use even if I’m not cutting them out.

    I initially planned to fussy cut the leaves too and researched safari sunsets and sunrises to see what kind of colors I might blend up for my background layer. Alas, they just weren’t playing well with the colors I used on the animals so I opted for a green stamped jungle and added some Pecan Pie accent stamps from the set and a little extra ink on the edges with a blending brush. Possibly simpler and oh, so much more fun. I can get a little lost in the ink blending. I really find it relaxing.

    Usually I use a white or plain left border but this time I changed it up with a piece of DSP from the Need for Tweed Designer Series Papers.

    Now for the best part. I can’t wait to continue on the hop and see what the others have created. Next up is Bree Renwick:

    Leonie Stuart – AU
    Rochelle Laird-Smith – AU
    Cheryll Miller – AU
    Marga Bultena – NL
    Aurélie Fabre – FR
    Annette Ball – CA
    Kelly Taranto – US
    Chris Smith – US
    Bree Renwick – US
    Lori Willcox – CA
    Teri West – US
    Cheryl Hamilton – US

    Thanks so much for stopping by!

  • From the Archives: The Daisy Sketch

    This is a repost from my old Typepad blog. Please check the end for an updated version from 2025.

    From: NOVEMBER 20, 2023

    The Daisy Sketch

    One of my favorite sketches to use over the past few months is one I refer to as the “Daisy Sketch”. I originally started using this in 2019 with the Daisy Lane Stamp Set along with a large and medium sized daisy punch. 

    This is my initial “perfected” version, after playing with a few different colors, etc.

    It basically has:

    • a left border that is 1/2″ to 1″ or so wide with the remainder covered by DSP or a dry embossed piece.
    • an approximately 1 3/4″ wide greeting panel on the lower 1/3 or so of the card. 
    • 2 objects (daisies) on the left of the message and one on the lower right, extending off the card.
    • embellish with leaves etc as desired or indicated by the occasion.

    It was easy to adapt for a specific occasion request, for example these cards which were created n honor of November employment anniversaries for a couple of treasured church staff:

    I shared this one earlier this fall (2023) with altered colors and objects but the same basic arrangement.

    Last month, I brought it out again for when I hosted a color challenge:

    This is one that I did on a Facebook Live video earlier this month. After the video I decided to add a tiny bit of Balmy Blue Blends brushed just outside the yellow centers, along with a few more leaves…

    Here is the video.

    from my ink pad with Chris Smith

    A Favorite Card Sketch with Stampin’ Up!’s Cheerful Daisies.

    2025 Update

    Many of these products have retired since I first posted this almost two years ago but I think the sketch still works for many themes and seasons. Plus, I think they were really great products and would be so happy if you have them and pull them off your shelf for a little love! (And, I’m trying to learn how to bring forward some of my favorite old posts from my now discontinued Typepad blog.)

    Here is a much more recent card I made with some of the Beautiful Gallery Suite products from Stampin’ Up!’s current catalog.

    I used the Damask Designs embossing folder to add texture to the Beautiful Gallery DSP. By lightly sanding the raised areas I revealed the white core of the paper for a little extra contrast. I love the painterly look of this paper so much I feel like I’ve been hoarding it for months.

    Here’s another I did – different sketch – with just the Beautiful Gallery papers, with a little help from Peaceful Days stamp set for the greeting.

    Such a simple card, I almost forgot to pack it when we went away for our anniversary…

    Thanks for stopping by. Please come back again to check what’s been on my crafting table!

  • Around the World on Wednesday: Remember When

    Here we are. Day 2 on the new blogging site and it’s time for our Around the World on Wednesday blog hop. I’m delighted if everything worked and you found me here. For those who are new to me, I’m Chris Smith, from the Twin Cities in Minnesota, US.

    This month we are continuing the celebration of our 5th year as a blog hop and taking inspiration from one of our Artisan members, Bree Renwick. Aside from that we have a theme of “Remember When”.

    I fully expected to take full advantage of Bree’s inspiring scrapbook pages and ordered some of our latest scrapbook stamps and “stickers” to use for this month’s hop. But then, late last month I received notice that Typepad, the blogging platform I’ve used since early 2007, was ending the platform and my 999 blog posts plus galleries would disappear after September 30. Needless to say I’ve been preoccupied evaluating what to do about it AND looking back at the posts themselves to help inform my decision making. I will save my work and find ways to bring back what I think still has relevance. And, you know what? It has been fun looking back to Remember When I first started blogging about 18 years ago.

    One of my first posts was a brief remembrance of my Grandma Edith:


    January 18, 2007

    Tribute to My Grandmother

    “Memory is the power to gather roses in winter.”   I designed this card in tribute to my grandmother who died last month, a few weeks before Christmas.  She would have turned 100 next week.  Edith was a loving and generous grandmother…and she used to grow beautiful roses!  

    I drew upon one of my all time favorite SCS color challenge entries for this special card. (SCS referred to SPlitcoaststampers.)


    I loved using these colors (Orchid Opulence, Rose Red, Old Olive and So Saffron) together and thought I would update this idea with current colors and stamps and borrow a sketch idea from Bree.

    This is a genius little sketch, especially in Bree’s crisply styled and “magical” message. It works with so many images and the layer measurements don’t have to be exact. Great for beginners or busy, preoccupied stampers like me…

    My original card used an old product called Iridescent Ice, a sparkly embossing powder. After substituting Petunia Pop Glimmer paper for the skinny borders, I realized this pretty paper has gone from Stampin’ Up!”s Last Chance List to also being discontinued. But it is pretty.

    I used Fresh Freesia, Petunia Pop, a bit of Melon Mambo along with Old Olive and Crushed Curry.

    The flower stem is stamped with Fresh Freesia on Fresh Freesia and colored with the Light Fresh Freesia, Petunia Pop and Melon Mambo Blends.

    I blended Crushed Curry and Old Olive ink on a piece of white card stock embossed with the Damask Embossing Folder and trimmed to 3 3/4″ x 5″.

    I thought the greeting from The Right Words stamp set followed the theme of the original greeting which I always loved: Memory is the power to gather roses in winter

    I really like the skinny strip of glimmer at the edges. While I think Bree layered her piece I’m stingy with my (now unavailable) Glimmer paper and just used strips.

    Before I sign off I have to share one more card inspired by Bree and I think it fits with Remember When. My husband and I will celebrate our 40th wedding anniversary in a few days and I wanted to see if I could make some white roses (my wedding bouquet) look a little masculine. We’ve grown a lot of white roses together over the past 40 years so I thought it could be appropriate. Here is Bree’s:

    and here is mine:

    I made this a top fold card with a Basic Beige base. Both the fussy cut roses and the brushstroke pecan Pie layer are from the Beautiful Gallery designer series paper. I kept the layering to a minimum. The greeting is from the Peaceful Days stamp set in Stampin’ Up!’s scrapbooking line. Perfect anniversary greeting!

    Now you get to move on to Bree’s blog! I can’t wait to see how she did this month’s theme.

    Jan Clothier – NZ
    Leonie Stuart – AU
    Rochelle Laird-Smith – AU
    Cheryll Miller – AU
    Danielle Kassing – NL
    Marga Bultena – NL
    Kelly Taranto – US
    Chris Smith – US
    Bree Renwick – US
    Teri West – US
    Cheryl Hamilton – US